GREENE, Graham
The Complete Entertainments & Novels
The Complete Entertainments & Novels
London: The Folio Society, 1996 - 1997
Illustrated by GRANDFIELD, Geoff
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The Complete Entertainments, by Graham Greene. London: The Folio Society, 1996. First printing thus. 228 × 149 × 24–26 mm. 6 vols (see below). Type: Garamond with Gill Sans for display. Printed by the Saint Edmundsbury Press. Bound by Hunter and Foulis in full blue cloth with a design (different for each volume) in black and yellow by Geoff Grandfield; yellow endleaves. Blue six-volume slip case decorated and titled (as above) with a design in black and yellow by Grandfield. Each of the six spines has a large capital at the head and foot, which spell out the author’s name, when the volumes are placed in the correct sequence. The six volumes are as follows:
- [1] Graham Greene, Stamboul Train, an entertainment, illustrated by Geoff Grandfield, introduction by Bryan Forbes. Pp. [1–8] 9–240 [241–242]: [7] leaves of ‘plates’ (facing pp. 21, 40, 63, 118, 161, 200 and 239).
- [2] Graham Greene, A Gun for Sale, an entertainment, illustrated by Geoff Grandfield. Pp. [1–6] 7–209 [210]: [7] leaves of ‘plates’ (facing pp. 11, 40, 72, 117, 148, 188 and 204).
- [3] Graham Greene, The Confidential Agent, an entertainment, illustrated by Geoff Grandfield. Pp. [1–10] 11–225 [226]: [7] leaves of ‘plates’ (facing pp. 45, 76, 121, 147, 162, 187 and 221).
- [4] Graham Greene, The Ministry of Fear, an entertainment, illustrated by Geoff Grandfield. Pp. [1–10] 11–242: [7] leaves of ‘plates’ (facing pp. 17, 64, 114, 121, 159, 186 and 240).
- [5] Graham Greene, The Third Man, The Fallen Idol, Loser Takes All, illustrated by Geoff Grandfield. Pp. [1–12] 13–237 [238–242]: [7] leaves of ‘plates’ (facing pp. 90, 105, 118, 130, 144, 206 and 237).
- [6] Graham Greene, Our Man in Havana, an entertainment, illustrated by Geoff Grandfield. Pp. [1–8] 9–231 [232 234]: [7] leaves of ‘plates’ (facing pp. 20, 71, 128, 134, 187, 215 and 223).
[together with]
The Great Novels, by Graham Greene. London: The Folio Society, 1997. First printing thus. 229 × 150 × 24–29 mm. 6 vols (see below). Type: Garamond with Gill Sans for display. Printed by the Saint Edmundsbury Press. Bound by Hunter and Foulis in full green cloth with a design (different for each volume) in black and orange by Geoff Grandfield; orange-red endleaves. Green six-volume slip case decorated and titled (as above) with a design in black and orange by Grandfield. As with the earlier 'The Complete Entertainments', each of the six spines has a large capital at the head and foot, which spell out the author’s name, when the volumes are placed in the correct sequence. The six volumes are as follows:
- [1] Graham Greene, Brighton Rock, introduced by Norman Sherry, illustrated by Geoff Grandfield. Pp. [1–6] 7–317 [318–322]: [7] leaves of ‘plates’ (facing pp. 50, 95, 112, 152, 176, 231 and 308).
- [2] Graham Greene, The Power and the Glory, illustrated by Geoff Grandfield. Pp. [1–10] 11–255 [256–258]: [7] leaves of ‘plates’ (facing pp. 23, 59, 131, 154, 183, 213 and 248).
- [3] Graham Greene, The Heart of the Matter, illustrated by Geoff Grandfield. Pp. [1–12] 13–304 [305–306]: [7] leaves of ‘plates’ (facing pp. 48, 87, 104, 179, 229, 276 and 296).
- [4] Graham Greene, The End of the Affair, illustrated by Geoff Grandfield. Pp. [1–12] 13–208 [209–210]: [7] leaves of ‘plates’ (facing pp. 25, 38, 72, 78, 99, 138 and 172).
- [5] Graham Greene, The Quiet American, illustrated by Geoff Grandfield. Pp. [1–10] 11–206 [207–210]: [7] leaves of ‘plates’ (facing pp. 24, 42, 85, 121, 156, 177 and 200).
- [6] Graham Greene, A Burnt-Out Case, illustrated by Geoff Grandfield. Pp. [1–8] 9–226: [7] leaves of ‘plates’ (facing pp. 21, 64, 78, 110, 143, 183 and 219).
Condition
Very good, likely unread, books, the bindings square and firm, the contents clean and uninscribed throughout, with only a little light creasing to some of the volumes' spine tips and some small, innocuous wear to covers in places. Housed in very good slipcases that are lightly rubbed to extremities and a little marked and shelf-worn, but structurally sound and clean.
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